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Hidden treasures from the Thiel Gallery collection
June 6 — August 16 2020

Oskar Bergman, May, 1910, Thiel Gallery

The magnificent rooms of the Thiel Gallery are always filled with art from around 1900 collected by the banker and patron of the arts Ernest Thiel. But this unique collection consists of nearly 900 works and there is not enough room to show everything in the building. More art is stored in the museum’s warehouse.

This summer exhibition features some gems from the collection, works that are rarely shown in public and highlight Thiel’s diversity as an art collector. The presentation includes well-known works by famous Nordic artists such as Edvard Munch, Isaac Grünewald and Gösta Adrian-Nilsson, and the French artists Auguste Renoir and Édouard Manet. Works by Swedish and European artists who were popular a century ago but are now forgotten are also on show, along with paintings that reveal an interest in older art history.

The exhibition is thematic and presents some 50 works from the Thiel Gallery collection – from 16th-century German Renaissance portraits, to French 19th-century Impressionists and 20th-century paintings of Swedish rural and urban landscapes and people. Come and discover new aspects of Ernest Thiel’s art collection!

The exhibition is based on the ongoing digitisation project ”Hemmuseum som digitalt kulturarv. Thielska Galleriet” (The Home Museum as a Cultural Heritage. The Thiel Gallery). The Gallery’s art and archives have been photographed and registered, and this process has opened our eyes to individual artists and works and given us a greater knowledge about the collection.

Lucas Cranach the older, Portrait of the Duchess Catherine, undated, Thiel Gallery

Artur Bianchini, The Gate, 1898, Thiel Gallery

Stefan Johansson, Portrait of the Artist's Mother, 1903, Thiel Gallery

Carl Larsson, Seventeen, 1902, Thiel Gallery

Isaac Grünewald, Portrait of Mrs. Ise Morssing, 1910, Thiel Gallery

 


Augusta Lundin, Göteborgs Stadsmuseum, 2020. Foto© Kristin Lidell.

Augusta Lundin. The First Fashion House in Sweden
29 augusti 2020 — 24 januari 2021

Press release at 10 am Friday August 28
RSVP info@thielskagalleriet.se

Augusta Lundin is regarded as Sweden’s first couture-seamstress and created dresses of the highest splendour. Her creations followed the currents of contemporary European fashion and they were worn by the royalty and the upper-class, but also by members of the cultural sphere.

Lundin was a very important figure in Swedish fashion history, but her creations and works are surprisingly unknown to the public.

Lundin collaborated with Otto Gustaf Bobergh who had started the first established haute couture store, Maison Worth & Bobergh, together with the British tailor Charles Frederick Worth in 1858. After the meeting with Bobergh, Lundin travelled to Paris at least once a year to get inspiration and to spread European fashion to Sweden. The exhibition is the first to put the pioneering work of Augusta Lundin in focus and contribute to the knowledge about a forgotten history of the Swedish fashion culture.

The exhibition tells the story about Augusta Lundin as a dynamic creator and entrepreneur around the turn of the twentieth century. The conditions of creation and the organisation of work, the clients` role and the taste of the time, the clothes` social functions and aesthetic quality are thematised and displayed with costumes, objects and images in the exhibition. The lavish historical clothes are the core objects in the exhibition, but with a number of non-finished items which gives the viewer the opportunity to see the work of the inside of the clothes and get an insight of the challenges of French sewing.

This exhibition is made in close collaboration with the two curators and experts on fashion Anna Bergman and Lotta Lewenhaupt. It is produced together with Malmö Museums and the Museum of Gothenburg (Göteborgs stadsmuseum).

The exhibition will be displayed at the Thiel Gallery in Stockholm during the period August 29 2020 – January 24 2021, thereafter at Malmö museums and at Museum of Gothenburg.

Augusta Lundin's studio, Stadsmuseet

Augusta Lundin, 1913, Göteborgs Stadsmuseum, 2020. Foto© Kristin Lidell.

Augusta Lundin, eveningdress. silk, 1893, Malmö museums

Augusta Lundin, 1904, Göteborgs Stadsmuseum, 2020. Foto© Kristin Lidell.

Augusta Lundin, 1904, Göteborgs Stadsmuseum, 2020. Foto© Kristin Lidell.

Photo: Ewa-Marie Rundquist

Photo: Ewa-Marie Rundquist

Photo: Ewa-Marie Rundquist

Photo: Ewa-Marie Rundquist

Photo: Ewa-Marie Rundquist

Photo: Ewa-Marie Rundquist

Photo: Ewa-Marie Rundquist

Photo: Ewa-Marie Rundquist

Augusta Lundin, Flâneur costume, 1880s, Hallwylska Museet

Augusta Lundin, 1913, Göteborgs Stadsmuseum, 2020. Foto© Kristin Lidell.

Augusta Lundin, c. 1913, Göteborgs Stadsmuseum, 2020. Foto© Kristin Lidell.


Hjalmar Söderberg and the arts. A jubilee exhibition
19 September 2019–14 February 2021

 

Gerda Wallander, Portrait of Hjalmar Söderberg, 1916, oil on canvas, 114 x 69 cm. Photo: Thielska Galleriet

In 2019 the author Hjalmar Söderberg (1869–1941) would have turned 150 years old. The Thiel Gallery celebrates this jubilee with an exhibition that highlights the author`s relation to the arts. The exhibition shows portraits of Söderberg and drawings made by Söderberg himself. Books with ornaments made by the author and other objects that relates to Söderberg are also exhibited.

Ernest Thiel and Hjalmar Söderberg were very good friends and the author used to stay in a room at the Thiel Gallery when visiting Ernest Thiel. The two friends sent letters to each other for about 30 years and shared the interest of playing chess.

Curator: Sophie Allgårdh, collaboration with Söderbergsällskapet

PRESS
sophie.allgardh@thielskagalleriet.se
0708-45 60 87

Astrid Kjellberg-Juel, Portrait of Hjalmar Söderberg, 1912, oil on canvas. Belonging to Bonniers portrait collection. Photo: Per Myrehed

Hjalmar Söderberg, Self portrait, 1895, ink wash. Belonging to Bonniers portrait collection, Nedre Manilla. Photo: Per Myrehed

Hjalmar Söderberg, The church tower of Saint Clare, 1884, crayon on paper, Göteborgs universitetsbibliotek. Photo: Per Myrehed

Sigge Bergström, Portrait of Hjalmar Söderberg, 1919. The wood cut initiated Vängåvan to Hjalmar Söderberg's fiftieth anniversary that year. The figures in the right corner are probably inspired by Hjalmar Söderberg's descriptions from the first scene in Gertrud (1906) with her and her husband, Gustaf Kanning, He has "no hair" and she is "tall and graced with rich brown hair".

Hjalmar Söderberg greets Niels Hansens Jacobsen sculpture Troll that hunts for Christian flesh outside Jesuskyrkan in Storköpenhamn 1907. Photo: Birger Mörner

Hjalmar Söderberg, Self portrait "Moi", 1890, pencil

 

Hjalmar Söderberg, Maria von Platen from memory, undated, drawing. Göteborgs universitetsbibliotek. Photo: Per Myrehed

Anna Riwkin, The author Hjalmar Söderberg, ca 1936, silver gelatin photography. Moderna Museet. Photo: Anna Riwkin

Yngve Berg, Portrait of Hjalmar Söderberg, 1947, ink wash,  Bonniers portrait collection. Photo: Per Myrehed

Albert Engström, Caricature of Hjalmar Söderberg, the original of the image that was printed for the perennial series "Medmänniskor" in Engström's magazine Strix.

Hjalmar Söderberg, It darkens across the road, gift to brother in law Alban Keyser, drawing.

Hjalmar Söderberg, vignette proposal to Jahves fire (1918) with Moses adorned by a bull's mask, serpent staff and
stone tablets +the proposition was accepted with only the bull's mask and serpent staff.