{"id":8369,"date":"2017-03-22T15:14:27","date_gmt":"2017-03-22T14:14:27","guid":{"rendered":"https:\/\/www.thielskagalleriet.se\/?page_id=8369\/"},"modified":"2020-02-17T10:48:04","modified_gmt":"2020-02-17T09:48:04","slug":"edvard-munch","status":"publish","type":"page","link":"https:\/\/www.thielskagalleriet.se\/en\/museum\/edvard-munch\/","title":{"rendered":"Edvard Munch"},"content":{"rendered":"<p>Edvard Munch<br \/>\n\u201cMy Munch wall will outshine any other in Europe\u201d<br \/>\n\u2013 Ernest Thiel at the Thiel Gallery<\/p>\n<p>With twelve oil paintings and nearly 100 prints, the Thiel Gallery has one of the largest collections of Edvard Munch\u2019s art outside Norway. The collector Ernest Thiel in Stockholm, Sweden was Munch\u2019s greatest patron during a period in the early 1900s, buying most of the works straight from the artist himself. Even today, the Norwegian artist\u2019s oeuvre dominates the main hall of the Thiel Gallery.<\/p>\n<div id=\"attachment_12202\" style=\"width: 637px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2018\/11\/thielska-296-627x1100.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12202\" class=\"size-medium wp-image-12202\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2018\/11\/thielska-296-627x1100-627x1100.jpg\" alt=\"\" width=\"627\" height=\"1100\" \/><\/a><p id=\"caption-attachment-12202\" class=\"wp-caption-text\">Edvard Munch, <em>Portrait of Ernest Thiel<\/em>, 1907<\/p><\/div>\n<p>Munch perfectly matched Ernest Thiel\u2019s taste for radical art and artists who took their own path. In 1886, Munch made his successful albeit scandalous breakthrough with his painting <em>The Sick Child<\/em>, shown at an exhibition in Oslo (then called Christiania), the capital of Norway. Some considered it to be sloppy and unfinished, but other critics pronounced him one of the most interesting artists of his generation. Munch was clever at using the bad press to craft his own reputation of being an idiosyncratic artist. The scandal, and Munch\u2019s subsequent exhibitions that also provoked huge attention, served to awaken the interest of Ernest Thiel and other collectors, critics and artists throughout Europe. The collection at the Thiel Gallery includes a version of Munch\u2019s <em>The Sick Child<\/em> from 1907 that was commissioned by Thiel. While working on it, the artist wrote in a letter that his nerves had improved, but that he had back pains instead: \u201cThe sick child is painted by a sick painter.\u201d<\/p>\n<p>This was an intense period in Edvard Munch\u2019s life. In summer 1905, he escaped briefly to Copenhagen from Norway, after engaging in a notorious fight with his Norwegian artist colleagues Ludvig Karsten and Andreas Haukland. In the midst of this crisis, he received a letter from Ernest Thiel asking him to paint a posthumous portrait of the German philosopher Friedrich Nietzsche. The idea had been broached by Elisabeth F\u00f6rster-Nietzsche, the philosopher\u2019s sister in Weimar, Germany, and it was she who put them in touch with each other. Thiel already owned works by Munch, but the portrait of Nietzsche marked an increased interest, and he bought several paintings and a large number of prints. This boosted Munch\u2019s financial position considerably, and it is said that the price of Munch\u2019s art went up after Thiel\u2019s patronage. The Thiel Gallery collection chronicles this eventful time in Munch\u2019s life, with portraits of the artist Karsten, the philosopher Nietzsche, and his sister F\u00f6rster-Nietzsche.<\/p>\n<p>Thiel wanted to fill an entire wall with paintings by Munch. The artist took part enthusiastically in the planning and selection of paintings to be included. In autumn 1907, Thiel wrote with satisfaction, \u201cMy Munch wall will outshine any other in Europe \u2013 I can see that already.\u201d In the course of the year, Thiel acquired several of the Gallery\u2019s most striking works, including <em>On the Bridge<\/em> (1903), and <em>The Book Family<\/em> (1903). The subject matter is everyday life and people Munch had met in the old port of \u00c5sg\u00e5rdstrand in Norway.<\/p>\n<div id=\"attachment_12204\" style=\"width: 810px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2018\/11\/286-800x1100.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12204\" class=\"size-medium wp-image-12204\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2018\/11\/286-800x1100.jpg\" alt=\"\" width=\"800\" height=\"1100\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2018\/11\/286-800x1100.jpg 800w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2018\/11\/286-768x1057.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2018\/11\/286.jpg 930w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><p id=\"caption-attachment-12204\" class=\"wp-caption-text\">Edvard Munch, <em>Despair<\/em>, 1892, oil on canvas. Photo: Tord Lund<\/p><\/div>\n<p>Edvard Munch had a remarkably keen eye for choosing subjects of his paintings, which are actually quite humble, and then to portray them with a monumentality and presence that conveys to the viewer a feeling of heightened reality. The dissolved brushwork of the paintings, the simplified shapes and intensified colours are intended not only to emphasise the emotional content of the motif, but also to give the beholder a glimpse of the artist behind the work, an intimation of the person who held the brush.<\/p>\n<p>His painting Sick mood at sunset. <em>Despair<\/em> (1892) is dominated by a strong emotional pitch. In the foreground is a well-dressed man with bowed head, facing a sombre, mountainous landscape. The red sky and the narrow bridge railing are familiar from the composition for Munch\u2019s most famous painting, <em>The Scream<\/em> (1893). Munch often made several versions of his most significant motifs. The painting Sick mood at sunset. Despair, which is in the Thiel collection, launched a whole series of angst paintings. While working on it, he wrote in his diary, \u201cI was walking down the road with two friends \u2013 the sun was setting. \u2013 I felt a waft of melancholia \u2013 Suddenly the sky turned red. I stopped, leant against the railing, tired to death [...] \u2013 I stood there trembling with anxiety \u2013 and I sensed a great, infinite scream through nature \u2013\u201d The artist\u2019s emotional turmoil arises in the altercation with the natural setting, and then colours his experience of the landscape, in a way that appears to dissolve the line between outer and inner life.<\/p>\n<p>In spring 1907, Edvard Munch visited Ernest and Signe Thiel in Stockholm, Sweden. The artist stayed at Grand H\u00f4tel in central Stockholm at Thiel\u2019s expense, but visited daily the mansion on Djurg\u00e5rden, one of the islands of Stockholm. Munch made portraits of the couple, a full-length oil painting of Ernest, and a print of Signe. Later, Munch noted that he was not entirely happy with the portrait of Ernest, adding that he had only seen his Nietzschean side, and had not got to know the person behind the mask. A half-finished study reveals traces of the artist\u2019s temperament: Munch has punched his hand right through the canvas in frustration. The portrait of Signe is an etching that condenses an impression of her personality and uses subtle means to create an entirely ethereal portrait.<\/p>\n<p>The significance of the personal temperament of artists was vigorously discussed on the European art scene during this period: was it right to give subjectivity so much room? The Munch wall at the Thiel Gallery is not only a tribute to Edvard Munch, but also marks a commitment to all those artists who allowed life to infuse art, who imbued every brush stroke with their own perspective, and even their own presence.<br \/>\n<em>Text: Patrik Steorn<\/em><\/p>\n<ul>\n<li>Bardon, Anne et al: <em>Munch og Warnem\u00fcnde<\/em>: 1907-1908, exh. cat. Munch Museet, Labyrinth Press, Oslo, 1999<\/li>\n<li>Edvard Munch. <em>Det syke barn.<\/em> <em>Historien om et mesterverk.<\/em> <em>The Sick Child.<\/em> <em>The story of a masterpiece<\/em>. Nasjonalmuseet for kunst, arkitektur og design, Oslo, 2009.<\/li>\n<li>Edvard Munch. <em>The Dance of Life<\/em> (ed. Otto Sel\u00e9n), Helsinki, 2014<\/li>\n<li>Frydenberg Flaatten, Hans-Martin: <em>Edvard Munch.<\/em> <em>M\u00e5neskinn i \u00c5sg\u00e5rdstrand<\/em>, Oslo, 2013<\/li>\n<li>Linde, Brita: <em>Ernest Thiel och hans konstgalleri<\/em>. Stockholm: Albert Bonniers f\u00f6rlag, 1969<\/li>\n<li>Linde, Ulf: <em>Edvard Munch och Thielska Galleriet<\/em>. Stockholm: Atlantis, 2007<\/li>\n<li>Stenerson, Rolf E: Edvard Munch. <em>Close-Up of a Genius<\/em> (Editor, text and illustrations: Hans-Martin Frydenberg Flaatten), Oslo, 2013<\/li>\n<li>Thiel, Ernest: <em>Vara eller synas vara.<\/em> <em>Minnen och anteckningar<\/em>. Carlssons f\u00f6rlag, Stockholm, 1990<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Edvard Munch \u201cMy Munch wall will outshine any other in Europe\u201d \u2013 Ernest Thiel at the Thiel Gallery With twelve oil paintings and nearly 100 prints, the Thiel Gallery has one of the largest collections of Edvard Munch\u2019s art outside Norway. The&hellip;<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":2538,"menu_order":85,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-8369","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Edvard Munch - The Thiel Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thielskagalleriet.se\/en\/museum\/edvard-munch\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Edvard Munch - The Thiel Gallery\" \/>\n<meta property=\"og:description\" content=\"Edvard Munch \u201cMy Munch wall will outshine any other in Europe\u201d \u2013 Ernest Thiel at the Thiel Gallery With twelve oil paintings and nearly 100 prints, the Thiel Gallery has one of the largest collections of Edvard Munch\u2019s art outside Norway. 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