{"id":15466,"date":"2020-05-19T13:49:29","date_gmt":"2020-05-19T11:49:29","guid":{"rendered":"https:\/\/www.thielskagalleriet.se\/?page_id=15466"},"modified":"2026-03-26T13:17:45","modified_gmt":"2026-03-26T12:17:45","slug":"the-architecture-and-the-sculpture-park-at-the-thiel-gallery","status":"publish","type":"page","link":"https:\/\/www.thielskagalleriet.se\/en\/museum\/about-the-gallery\/the-architecture-and-the-sculpture-park-at-the-thiel-gallery\/","title":{"rendered":"The architecture and the sculpture park at the Thiel Gallery"},"content":{"rendered":"\n<p>The banker and art patron Ernest Thiel (1859-1947) commissioned the Thiel Gallery on Blockhusudden between the years 1904 - 1907 to accommodate his home and art collection. The architect Ferdinand Boberg (1860-1946) drew influences from the Renaissance, the Orient and the Late Art Nouveau style when he designed the house. The facade is white plastered and decorated with glazed ceramics in different colors. The roof is dominated by a dome in green brick and smaller towers with golden globes have been placed in the corners. The wall surrounding the park is also designed by Boberg, and the hilly park contains several sculptures purchased by Ernest Thiel. The park began to be planned at the same time that Ernest and Signe Thiel moved in and the gallery building is positioned to create as large park area as possible. The sculpture park, architecture and art are today an all-art piece preserved from the turn of the last century.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-medium wp-image-15467\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"714\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/blockhus-800x714.jpg\" alt=\"\" class=\"wp-image-15467\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/blockhus-800x714.jpg 800w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/blockhus-768x686.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/blockhus-1536x1372.jpg 1536w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/blockhus-1200x1072.jpg 1200w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/blockhus.jpg 2000w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Foto: Melker Dahlstrand<\/figcaption><\/figure>\n\n\n\n<p>The facade contains references to the buildings that were on the site in the 1500s, and which gave the Blockhusudden its name. Boberg often drew inspiration from the place where he worked and included details from the local area in his architecture.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone wp-image-15503 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"999\" height=\"786\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/groda-e1590582681278.jpeg\" alt=\"\" class=\"wp-image-15503\"\/><figcaption class=\"wp-element-caption\">Detail on the gate to the Thiel Gallery. <\/figcaption><\/figure>\n\n\n\n<p>In the area at Blockhusudden there were a lot of frogs, Boberg therefore also included frogs as a detail in the architecture at the Thiel Gallery. The frog can be found on one of the gates in the wall that surrunds the museum.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone wp-image-15469 size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"532\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/annexet-800x532.jpg\" alt=\"\" class=\"wp-image-15469\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/annexet-800x532.jpg 800w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/annexet-768x511.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/annexet.jpg 1200w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">The annexe at the Thiel Gallery. Photo: Johanna Wulff.<\/figcaption><\/figure>\n\n\n\n<p>The annexe next to the large museum building was, during Thiel's time, a stable and service residence. There was also a small powerhouse that provided the buildings with electricity. Today, the annexe is used as an office and conference room.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Sculptures<\/h3>\n\n\n\n<p><strong>Auguste Rodin (1840-1917) <em>The Shade,<\/em> <\/strong>1908<br>Rodin's sculpture The Shade is a detail from The Gates of Hell, a work of art that Rodin performed in Paris. The sculpture misses the right hand which Rodin himself must have removed because he felt that it disturbed the whole. Ernest Thiel's urn is buried under the sculpture after his whiches.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-medium wp-image-15471\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1067\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/rodin-skuggan--800x1067.jpg\" alt=\"\" class=\"wp-image-15471\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/rodin-skuggan--800x1067.jpg 800w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/rodin-skuggan--768x1024.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/rodin-skuggan--1152x1536.jpg 1152w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/rodin-skuggan--1536x2048.jpg 1536w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/rodin-skuggan--1200x1600.jpg 1200w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/rodin-skuggan--scaled.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">August Rodin, <em>The shade,<\/em> 1880, Thiel Gallery. Photo: Per Myrehed<\/figcaption><\/figure>\n\n\n\n<p><strong>Johan Tobias Sergel (1740-1814), after, <em>Faun,<\/em> undated<\/strong><br>The sculpture is a copy of Johan Tobias Sergel's marble sculpture Faun from 1774, in the Nationalmuseum\u2019s collections. Faun is a figure taken from ancient mythology that is half human and half goat. Sergel performed the sculpture in Rome, and it was his breakthrough.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-medium wp-image-15473\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/faun-800x600.jpg\" alt=\"\" class=\"wp-image-15473\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/faun-800x600.jpg 800w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/faun-768x576.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/faun-1536x1152.jpg 1536w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/faun-2048x1536.jpg 2048w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2020\/05\/faun-1200x900.jpg 1200w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Johan Tobias Sergel (1740-1814), after,<em> Faun<\/em>, undated. Photo: Per Myrehed<\/figcaption><\/figure>\n\n\n\n<p><strong>Gustav Vigeland (1869-1943)<\/strong><br>The Thiel Gallery has the largest collection of the Norwegian sculptor Gustav Vigeland's work outside Norway. Ernest Thiel supported Vigeland financially and bought, among other things, four sculptures for his park which he came to call Vigelandterassen.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2951\" height=\"3113\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/vigeland-rosor.jpeg\" alt=\"\" class=\"wp-image-18121\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/vigeland-rosor.jpeg 2951w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/vigeland-rosor-768x810.jpeg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/vigeland-rosor-1456x1536.jpeg 1456w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/vigeland-rosor-1941x2048.jpeg 1941w\" sizes=\"auto, (max-width: 2951px) 100vw, 2951px\" \/><figcaption class=\"wp-element-caption\">Gustav Vigeland, Man Embracing a Woman, 1905<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"3024\" height=\"4032\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/man-och-kvinna-1.jpeg\" alt=\"\" class=\"wp-image-18126\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/man-och-kvinna-1.jpeg 3024w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/man-och-kvinna-1-768x1024.jpeg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/man-och-kvinna-1-1152x1536.jpeg 1152w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/man-och-kvinna-1-1536x2048.jpeg 1536w\" sizes=\"auto, (max-width: 3024px) 100vw, 3024px\" \/><figcaption class=\"wp-element-caption\">Gustav Vigeland, Man and Woman, 1906, Thiel Gallery<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1440\" height=\"1800\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/mor-och-barn.jpeg\" alt=\"\" class=\"wp-image-17852\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/mor-och-barn.jpeg 1440w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/mor-och-barn-768x960.jpeg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/mor-och-barn-1229x1536.jpeg 1229w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\" \/><figcaption class=\"wp-element-caption\">Gustav Vigeland, Mother and Child, 1907, the Thiel Gallery.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full alignnone wp-image-15481\"><img loading=\"lazy\" decoding=\"async\" width=\"3024\" height=\"4032\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/aldre-man-ung-kvinna.jpeg\" alt=\"\" class=\"wp-image-18128\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/aldre-man-ung-kvinna.jpeg 3024w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/aldre-man-ung-kvinna-768x1024.jpeg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/aldre-man-ung-kvinna-1152x1536.jpeg 1152w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/07\/aldre-man-ung-kvinna-1536x2048.jpeg 1536w\" sizes=\"auto, (max-width: 3024px) 100vw, 3024px\" \/><figcaption class=\"wp-element-caption\">Gustav Vigeland, Father and Daughter, 1906, the Thiel Gallery<\/figcaption><\/figure>\n\n\n\n<p><strong>Aron Jerndahl (1858-1936) <em>Dusk Approaching<\/em>, 1902<\/strong><br>The sculpture has been cast in bronze after a plaster model from the collection. Jerndahl's sculptures often have everyday motifs with people who work, depicted in a realistic way.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full alignnone size-medium wp-image-15483\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"2560\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/man-scaled.jpeg\" alt=\"\" class=\"wp-image-17861\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/man-scaled.jpeg 1920w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/man-768x1024.jpeg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/man-1152x1536.jpeg 1152w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/05\/man-1536x2048.jpeg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Aron Jerndahl, Dusk Approaching, 1902, the Thiel Gallery<\/figcaption><\/figure>\n\n\n\n<p><strong>No entrance fee for visiting the sculpture park<\/strong><\/p>\n\n\n\n<p>Opening hours<\/p>\n\n\n\n<p>Tuesday \u2013 Sunday 12 pm\u20135 pm<br>Thursday 12 pm\u20138 pm (May-Oct)<br>Monday closed<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The banker and art patron Ernest Thiel (1859-1947) commissioned the Thiel Gallery on Blockhusudden between the years 1904 - 1907 to accommodate his home and art collection. The architect Ferdinand Boberg (1860-1946) drew influences from the Renaissance, the Orient and the Late&hellip;<\/p>\n","protected":false},"author":10,"featured_media":18913,"parent":7241,"menu_order":80,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-15466","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The architecture and the sculpture park at the Thiel Gallery - The Thiel Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thielskagalleriet.se\/en\/museum\/about-the-gallery\/the-architecture-and-the-sculpture-park-at-the-thiel-gallery\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The architecture and the sculpture park at the Thiel Gallery - The Thiel Gallery\" \/>\n<meta property=\"og:description\" content=\"The banker and art patron Ernest Thiel (1859-1947) commissioned the Thiel Gallery on Blockhusudden between the years 1904 - 1907 to accommodate his home and art collection. 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