{"id":17296,"date":"2021-03-16T11:42:07","date_gmt":"2021-03-16T10:42:07","guid":{"rendered":"https:\/\/www.thielskagalleriet.se\/?post_type=exhibition&#038;p=17296"},"modified":"2026-09-03T22:02:33","modified_gmt":"2026-09-03T20:02:33","slug":"the-individual-and-spirituality-from-edelfelt-to-schjerfbeck-the-gyllenberg-collection-at-the-thiel-gallery","status":"publish","type":"exhibition","link":"https:\/\/www.thielskagalleriet.se\/en\/utstallning\/the-individual-and-spirituality-from-edelfelt-to-schjerfbeck-the-gyllenberg-collection-at-the-thiel-gallery\/","title":{"rendered":"The Individual and Spirituality"},"content":{"rendered":"<p>This summer, key works from the Signe and Ane Gyllenberg Collection will be shown at the Thiel Gallery. Some of these works have never been shown outside Villa Gyllenberg in Helsinki, home to one of Finland\u2019s finest private collections. While it is closed for refurbishment, its collection will be presented abroad.<\/p>\n<p><!--more Read more--><\/p>\n<p>There are several interesting similarities between Ernest Thiel (1859\u20131947) and Ane Gyllenberg (1891\u20131977). Both made their fortunes as bankers, both were passionate art collectors, and their unique collections are preserved in their original settings. There are differences too, not least in how they collected. While Thiel focused on the artists, Gyllenberg was more interested in specific subjects.<\/p>\n<p>The exhibition features some of Finland\u2019s best-known artists around 1900. It includes history painting, portraits and genre motifs by Albert Edelfelt, realist landscapes by Fanny Churberg, Werner Holmberg and Eero J\u00e4rnefelt, symbolist and national romantic paintings by Akseli Gallen-Kallela, and early modernist works by Sigrid Schauman and Ellen Thesleff. The jewel in the crown is Helene Schjerfbeck, Ane Gyllenberg\u2019s favourite artist, who is represented by 12 paintings spanning her entire practice.<\/p>\n<p><em>The Individual and Spirituality\u00a0<\/em>gives an introduction to Finnish art history but also tells us about a collector who loved landscapes and portraits. Ane Gyllenberg was interested in anthroposophy and looked for the spiritual dimension in imagery. This aspect is certainly palpable in Akseli Gallen-Kallela\u2019s Ad Astra and in many of Helene Schjerfbeck\u2019s portraits, but also in Sigrid Schauman\u2019s landscapes. The numerous portraits in the Gyllenberg collection, and the many forest scenes with solitary trees, also suggest the loneliness of the individual.<\/p>\n<p>Spirituality and individualism were important topics in early modernism. This was a complex and turbulent period, and the art portrays how the nation and the individual, modernity and spirituality, competed and intertwined in what has come to be known as the Golden Age of Finnish Art.<\/p>\n<div id=\"attachment_17048\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17048\" class=\"wp-image-17049 size-medium\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-50--768x475.jpg\" alt=\"\" width=\"768\" height=\"475\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-50--scaled.jpg 2560w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-50--768x475.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-50--1536x950.jpg 1536w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-50--2048x1266.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-17048\" class=\"wp-caption-text\">Akseli Gallen-Kallela, <em>Ad Astra,<\/em> 1907, Villa Gyllenberg. Photo: Signe och Ane Gyllenbergs foundation \/ Matias Uusikyl\u00e4<\/p><\/div>\n<div id=\"attachment_17046\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17046\" class=\"size-medium wp-image-17047\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-25-1200x643.jpg\" alt=\"Albert Edelfelt, Bellman spelade luta f\u00f6r Gustaf III och Gustaf Mauritz Armfelt p\u00e5 Haga, 1884, Villa Gyllenberg\" width=\"800\" height=\"429\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-25-1200x643.jpg 1200w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-25-768x412.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-25-1536x823.jpg 1536w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-25-2048x1098.jpg 2048w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-25-800x429.jpg 800w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-17046\" class=\"wp-caption-text\">Albert Edelfelt,<em> Bellman Played lute for Gustav III and Gustaf Mauritz Armfelt at Haga,<\/em> 1884, Villa Gyllenberg. Photo: Signe och Ane Gyllenbergs foundation \/ Matias Uusikyl\u00e4<\/p><\/div>\n<div id=\"attachment_17060\" style=\"width: 781px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17060\" class=\"size-medium wp-image-17061\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/trad-1200x1712.jpeg\" alt=\"Fanny Churberg, Den gamla eken, ca 1872, Villa Gyllenberg\" width=\"771\" height=\"1100\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/trad-1200x1712.jpeg 1200w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/trad-768x1095.jpeg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/trad-1077x1536.jpeg 1077w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/trad-1436x2048.jpeg 1436w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/trad-771x1100.jpeg 771w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/trad-scaled.jpeg 1795w\" sizes=\"auto, (max-width: 771px) 100vw, 771px\" \/><p id=\"caption-attachment-17060\" class=\"wp-caption-text\">Fanny Churberg, <em>The Old Oak Tree<\/em><em>,<\/em> ca 1872, Villa Gyllenberg. Photo: Signe och Ane Gyllenbergs foundation \/ Matias Uusikyl\u00e4<\/p><\/div>\n<div id=\"attachment_17058\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17058\" class=\"size-medium wp-image-17059\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-46-1200x1635.jpg\" alt=\"Akseli Gallen-Kallela, Tiggargossen, 1887, Villa Gyllenberg\" width=\"800\" height=\"1090\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-46-1200x1635.jpg 1200w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-46-768x1047.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-46-1127x1536.jpg 1127w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-46-1503x2048.jpg 1503w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-46-800x1090.jpg 800w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-46-scaled.jpg 1879w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-17058\" class=\"wp-caption-text\">Akseli Gallen-Kallela, <em>The Beggar Boy<\/em>, 1887, Villa Gyllenberg. Photo: Signe och Ane Gyllenbergs foundation \/ Matias Uusikyl\u00e4<\/p><\/div>\n<div id=\"attachment_17054\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17054\" class=\"wp-image-17055 size-medium\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-233-1200x1043.jpg\" alt=\"\" width=\"800\" height=\"695\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-233-1200x1043.jpg 1200w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-233-768x668.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-233-1536x1335.jpg 1536w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-233-2048x1780.jpg 2048w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-233-800x695.jpg 800w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-17054\" class=\"wp-caption-text\">Sigrid Schauman,<em> Villa Aurelia,<\/em> 1953, Villa Gyllenberg. Photo: Signe och Ane Gyllenbergs foundation \/ Matias Uusikyl\u00e4<\/p><\/div>\n<div id=\"attachment_17052\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17052\" class=\"wp-image-17053 size-medium\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-189-1200x1105.jpg\" alt=\"\" width=\"800\" height=\"737\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-189-1200x1105.jpg 1200w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-189-768x707.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-189-1536x1414.jpg 1536w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-189-2048x1886.jpg 2048w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-189-800x737.jpg 800w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-189-190x175.jpg 190w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-17052\" class=\"wp-caption-text\">Ellen Thesleff, <em>Spring Landscape, Mountain Lake, <\/em>1915, Villa Gyllenberg. Photo: Signe och Ane Gyllenbergs foundation \/ Matias Uusikyl\u00e4<\/p><\/div>\n<div id=\"attachment_17056\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17056\" class=\"size-medium wp-image-17057\" src=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-169-1200x1585.jpg\" alt=\"Helene Schjerfbeck, M\u00f6rk dam, 1929, Villa Gyllenberg\" width=\"800\" height=\"1057\" srcset=\"https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-169-1200x1585.jpg 1200w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-169-768x1015.jpg 768w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-169-1163x1536.jpg 1163w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-169-1550x2048.jpg 1550w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-169-800x1057.jpg 800w, https:\/\/www.thielskagalleriet.se\/wp-content\/uploads\/2021\/02\/g-2011-169-scaled.jpg 1938w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-17056\" class=\"wp-caption-text\">Helene Schjerfbeck, <em>Dark Lady,<\/em> 1929, Villa Gyllenberg. Photo: Signe och Ane Gyllenbergs foundation \/ Matias Uusikyl\u00e4<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>This summer, key works from the Signe and Ane Gyllenberg Collection will be shown at the Thiel Gallery. Some of these works have never been shown outside Villa Gyllenberg in Helsinki, home to one of Finland\u2019s finest private collections. While it is&hellip;<\/p>\n","protected":false},"featured_media":17045,"template":"","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","_monsterinsights_skip_tracking":false,"_links_to":"","_links_to_target":""},"exhibition-category":[24],"class_list":["post-17296","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibition-category-previous-exhibitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Individual and Spirituality - The Thiel Gallery<\/title>\n<meta name=\"description\" content=\"This summer, key works from the Signe and Ane Gyllenberg Collection will be shown at the Thiel Gallery. 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